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Cellist Michelle Djokic is Founder and Artistic Director of the Concordia Chamber Players. Since its inception in 1995 this series has brought together the brightest talents of the chamber music world in thoughtful and adventurous programming with their performances broadcast regularly on WWFM in Princeton, NJ. Concordia Chamber Players commissioned “Obrigado”, Quintet for mandolin and string quartet by young Brazilian superstar, Clarice Assad, which received its world premier in the spring of 2011 with Mike Marshall on the mandolin. Michelle joined pianist, John Novacek at the 2011 Festival Mozaic for the world premier of Novacek’s “Singular Piece” for cello and piano commissioned by the Seattle Commissioning Project. Her recording with Quartet San Francisco entitled “QSF Plays Brubeck” earned a 2010 Grammy Nomination in Best Classical Crossover. In 2007 she became a member of the New Century Chamber Orchestra with whom she released the highly acclaimed recording “Together” in 2009. Upon moving to Northern California from the East Coast in 2005 Michelle served as Assistant Principal Cellist of the San Francisco Symphony for two seasons.
Her greatest passion is chamber music collaborations with her colleagues around the world and sharing in the development of young musicians. Previous concert seasons have included collaborations with Brooklyn Chamber Music Society, Festicamara in Medellin, Colombia, Ensemble Matheus of France, Princeton Festival, Mainly Mozart, Music in the Vineyards and the Mozaic Festival.
Michelle made her debut as soloist with the Philadelphia Orchestra at the age of 12 and made her Carnegie Hall debut as soloist with the New Jersey Symphony in 1985. She was awarded the coveted People’s Prize in the 1981 International Casals Competition and the Prince Bernard Award for Excellence at the Scheveningen International Cello Competition in addition to capturing first prize in numerous young artist competitions in the US.
Michelle received her Bachelor of Music and Master of Music Degrees from The Juilliard School as a student of Leonard Rose and Channing Robbins.
Brazilian-American Clarice Assad is a Grammy nominated composer, pianist, bandleader, vocalist and educator of musical depth and versatility. Described by the San Francisco Chronicle as “a serious triple threat”, Assad is a highly prolific and commissioned composer. Carefully crafted colorful textures permeate her vibrant and soulful musical world, which embraces a wide variety of styles, including her own original concepts.
World premieres for the 2017 season include commissions by the Cabrillo Festival Orchestra for Dame Evelyn Glennie, Duo Noire, the Boston Classical Guitar Society, The Chicago Sinfonietta, OCAM, Jazz Meets Classical, arrangements for the New Century Chamber Orchestra and Chanticleer, among other exciting projects. As a performer, Assad joined her family for two tours in May and August in Brazil, and a month long residency in Denmark presenting workshops and masterclasses as well as performing with percussionist Marilyn Mazur, bassist Thomas Fonnesbaek, 3XHess, drummer Jonas Johansen among other stellar artists from the Copenhagen area.
Clarice is currently working on commissions, that include a new work for the 2015 Avery Fisher Career Grant recipient violist Matt Lipman, a double concerto for piano and strings for Inna Faliks commissioned by Tom Baron, a commission from the International Trumpets Guild and a collaboration between dancers and the Northwest Piano Trio.
She has been commissioned by Carnegie Hall, the Orquestra Sinfônica de São Paulo, the Chicago Sinfonietta, Sybarite5, the Chamber Music Society of Lincoln Center’s ensemble Opus One, the Ocean Reef Music Festival, Cedille Records, the Concordia Chamber Players, the BRAVO! Vail Music Festival and the La Jolla Music Festival, to name a few. Her works have been recorded by some of the most prominent names in the classical contemporary music scene today, including Dame Evelyn Glennie, Yo-Yo Ma, violinist Nadja Salerno-Sonnenberg and Ida Kavafian; pianists Anne-Marie McDermott and Inna Faliks, flutist Eugenia Zuckerman and oboist Liang Wang. She has also written extensively for active members of the new music scene in the US such as the Cavatina Duo, SOLI ensemble and the all male choir Chanticleer.
As an arranger, Clarice has collaborated with guitarist Dennis Sungho and Korean pop star Insooni on a dozen arrangements for an extensive tour in Seoul. She has also served as the New Century Chamber Orchestra’s primary arranger from 2007-2017, orchestrating hefty works such as Mussorgsky’s Pictures at an Exhibition, Richard Strauss’ Dance of the Seven Veils and the suite An American in Paris, by G. Gershwin.
Assad has served as composer-in-residence for the Albany Symphony, the Cabrillo Festival of Contemporary Music and the Boston Landmarks Orchestra. Ms. Assad is the recipient of such awards as the Aaron Copland Award, several ASCAP awards in composition, Meet The Composer’s Van Lier Fellowship, League of American Orchestras, New Music USA, NPR’s All Songs Considered, the Mcknight Visiting Composer Fellowship, the Jerome Foundation, The American Composers Forum National Composition Competition, the Franklin Honor Society, as well as a nomination from the Grammy Foundation for best contemporary composition. Ms. Assad has been an artist in residence at the MacDowell Colony, the Harrison House, the American Lyric Theater and the Yaddo Colony.
As a performer, Assad has shared the stage with Bobby McFerrin, Anat Cohen, Nadia Sirota, Paquito D’Rivera, Tom Harrell, Marilyn Mazur, Mike Marshall among other outstanding musicians, and she is the founder of the international ensemble OFF THE CLIFF, featuring percussionist Japanese Keita Ogawa, Danish bassist Thomas Fonnesbaek and Brazilian guitarist João Luiz Rezende.
She has performed at venues and festivals including Jazz at Lincoln Center, Katara in Doha, Qatar, the Caramoor International Jazz Festival, Carnegie hall, The Metropolitan Museum of Art, Concertgebow San Francisco Jazz, Le Casino de Paris in Paris, the Palais des Beaux Arts in Brussels, and Jazz Montmartre in Copenhagen. She has appeared as a singer with numerous orchestras and ensembles, including the Michigan Philharmonic, the Chicago Composers Orchestra and the Salt Lake City Big Band Orchestra, to name a few. Assad, who has been hailed by the LA Times as “a dazzling soloist,” sings in Portuguese, Spanish, French, Italian and English, but thrives in exploring the voice as an instrument, creating a vast array of innovative textures and incorporating an exciting vocabulary of extended techniques into her music. Such interest in the human voice, combined with her remarkable orchestration skills led her to write the first scat singing concerto in history, which she performs frequently with orchestras around the world.
A passionate educator, Clarice is the founder of the award-winning workshop VOXploration – which aims to explore the body and voice as a musical instrument for improvised music and as a compositional tool. Often paired with theater and dance, Assad has worked extensively with several multi-disciplinarian artists and organizations on large scale projects involving singers, dancers and audience members.
Assad’s music is represented on Cedille Records, SONY Masterworks, Nonsuch, Adventure Music, Edge, Nonsuch, Telarc, NSS Music, GHA, and CHANDOS labels. Her latest album, titled “IMAGINARIUM”, features over 50 guests: a combination of professional and amateur instrumentalists and singers, which has received stunning reviews from Jazz Times, Jazz Weekly and World Music Report, among other publications. The album was rated “the most startling Brazilian jazz album in years” and Assad was voted highly among the “Top 10 artists influencing Brazilian music today” by Wondering Sound.
In Brazil, Assad has collaborated with renowned musicians in the music scene ranging from an incredible array of styles and genres such as wind player Carlos Malta, percussionist Naná Vasconcelos, cellist and producer Jacques Morelenbaum, rapper Ramonzin, pop singer Byafra, among others. As a child, Clarice sang and recorded on numerous jingles for radio and television, as well as albums including tracks for the Bahian pop singer sensation Luiz Caldas. During adolescence, she worked on several musicals as an arranger and pianist, under the tutelage of playwright and composer Tim Rescala.
She holds a Bachelor of Music degree with honors from the Roosevelt University and a Master of Music degree from The University of Michigan School of Music, where she studied with Michael Daugherty, Susan Botti and Evan Chambers. Her works are published in France (Editions Lemoine), Germany (Trekel), Criadores do Brasil (Brazil) and independently by Virtual Artists Collective Publishing, (VACP) a publishing company co-founded with poet and philosopher Steve Schroeder. On its 10 year anniversary, VACP has published 55 volumes of poetry and music. Assad lives in Chicago, IL and is currently a board member of the Old Town School of Folk Music.
Originally from South Carolina, mandolinist David Benedict is a Boston-based performer, composer, and instructor seeking to blend tradition and innovation through his music. Alumnus member of Missy Raines & The New Hip and producer of the popular weekly Mandolin Mondays video series, David is now a part of the adventurous, young New England bluegrass band Mile Twelve.
In 2013, he graduated with a unique degree in mandolin music performance from Bryan College in Tennessee, where he studied with Grammy-nominated mandolinist Matt Flinner. Since then, David has played at venues and festivals across the southeast including the Savannah Music Festival and TEDx Conferences–sharing the stage with such musicians as Casey Driessen, Matt Flinner, Julian Lage, Mike Marshall, Tim O’Brien, Darrell Scott, Tommy Emmanuel, and others.
Over the years, David’s broad tastes have led him to push the conventional boundaries of the mandolin by exploring a variety of musical styles including bluegrass, old time, celtic, jazz, classical, and more. He has also been observed to have a unique and authentic artistic voice as a composer. This distinct creative style is displayed in his two albums of original acoustic instrumental music: the first, Into the True Country (2014), which features a crew of outstanding studio musicians and was produced by Flinner, and the second, an intrepid duo album with Chattanooga finger-style guitarist Michael Moore, called Each by Side (2015).
Acclaimed for his performances in both Europe and the US, Spanish violinist Francisco Fullana is enjoying a diverse international career of concerto and recital appearances as well as a wide array of collaborations as a chamber musician. Praised by Gustavo Dudamel as a “remarkable talent”, The Boston Globe called him “a very special violinist”. Performance highlights include Brahms Concerto under Gustavo Dudamel and his recital at Carnegie’s Weill Recital Hall as the winner of the 2015 Pro Musicis International Award. Francisco has also recently made his concerto debuts with Alabama, Dana Point, Guanajuato, Irvine, Maryland and Pacific Symphonies and the State Chapella of Saint Petersburg, Russia.
Francisco is currently in his second season as artist in residence for the Balearic Islands Symphony Orchestra, performing Bartok 2nd Violin Concerto under Eivind Gullberg Jensen. Other upcoming engagements include debuts with the Buffalo Philharmonic, San Antonio and Xalapa Symphony Orchestras, the Saint Paul Chamber Orchestra, Lyra Chamber Orchestra (Switzerland) and return concerto performances with the Guanajuato (Mexico), Central Aichi (Japan) and Atlantic Symphonies. Recital and chamber music appearances include Music in the Vineyards, Liquid Music and Newport Music Festivals, Concordia and Jupiter Chamber Players, as well as a recital tour of Japan with pianist David Fung.
Next winter, Orchid Classics will release Fullana’s new recording, which includes Max Richter’s “Four Seasons Recomposed” with the City of Birmingham Symphony Orchestra under Carlos Izcaray. Looking ahead, his ongoing collaboration with Argentinian bandoneonist JP Jofre will culminate in 2018 with the premiere of Jofre’s Double Concerto for bandoneon and violin, a work commissioned by the Balearic Islands Symphony, San Antonio Chamber Orchestra and NYC’s Metropolis Ensemble to honor Bernstein’s Centennial.
Highlights of past seasons have included a Mendelssohn Violin Concerto performance under the late Sir Colin Davis and Bayerische Philarmonie as well as concerto appearances with the Bavarian Radio Orchestra, both presented by Lyra Foundation. Francisco has also appeared with the Vancouver, Madrid and Hof Symphonies and the Spanish Radio Television Orchestra, under conductors such as Gustavo Dudamel, Eivind Gullberg Jensen, Adrian Leaper, Alondra de la Parra and Christoph Poppen among many others. Other concerto engagements have included performances with “El Sistema” Symphony Orchestra, Hof Symphony, Extremadura Symphony and many others. His music has been heard in concert halls all over the world: Spain, USA, Germany, Switzerland, Venezuela, Israel, Argentina, Italy, Portugal, South Korea, Mexico and Japan, in front of distinguished audiences that have included the King and Queen of Spain.
The First Prize winner of the 2015 Munetsugu International Violin Competition in Japan, Francisco was also awarded all four special prizes, including the Audience and Orchestra awards. He was also awarded First Prize at the 2014 Johannes Brahms and the Julio Cardona International Violin Competitions, the Pablo de Sarasate National Violin Competition, as well the Maria Paula Alonso Award.
An accomplished chamber musician, Francisco was recently invited to join the roster of the prestigious Lincoln Center’s Chamber Music Society Two starting in 2018. He has been part of Marlboro Music and “Musicians from Marlboro” tours and has performed in the Da Camera Society, Music@Menlo, Perlman Music Program, Yellow Barn, Concordia and Jupiter Chamber Players, alongside members of the Guarneri, Juilliard, Takacs and Cleveland Quartets. He has also performed with renowned artists Viviane Hagner, Nobuko Imai, Charles Neidich and Mitsuko Uchida and others. Fullana is the co-founder of COSA’s Chamber Music Institute in San Antonio and since 2016, the Principal Violinist of the Saint Paul Chamber Orchestra.
A graduate of The Juilliard School, where he obtained Bachelor and Master degrees with Don Weilerstein and Masao Kawasaki, he is currently pursuing an Artist Diploma at the University of Southern California under the renowned violinist Midori Goto. Francisco started violin with Bernat Pomar in his hometown of Palma de Mallorca, Spain, and is also a graduate of the Royal Conservatory of Madrid, where he studied with Manuel Guillén.
Francisco currently performs on the 1735 “Mary Portman” ex-Kreisler Guarneri del Gesu violin, kindly on loan from Clement and Karen Arrison through the Stradivari Society of Chicago.
Bassoonist Marc Goldberg’s work as musician and educator has taken him throughout the country and around the world with a host of premier ensembles. A member of the renowned New York Woodwind Quintet, he is currently principal bassoonist of Lincoln Center’s Mostly Mozart Festival Orchestra, American Ballet Theater, New York City Opera, and Riverside Symphony, having previously served as associate principal bassoonist with the New York Philharmonic.
A frequent guest of the Metropolitan Opera, Boston Symphony Orchestra, Orchestra of St. Luke’s, and Orpheus chamber orchestra, he has toured with these ensembles across four continents and joined them on numerous recordings. Goldberg has also made guest principal bassoon appearances in Japan with Seiji Ozawa’s Tokyo Opera Nomuri, Saito Kinen Orchestra, Mito Chamber Orchestra, and in Korea with Myung Whun Chung and the Seoul Philharmonic Orchestra.
Solo appearances include performances with the Brandenburg Ensemble at Boston’s Symphony Hall and New York’s Avery Fisher (now David Geffen) Hall, and performances throughout the U.S., in South America, and across the Pacific Rim with the American Symphony Orchestra, Mostly Mozart Festival Orchestra, Jupiter Symphony, New York Chamber Soloists, Riverside Symphony, and New York Symphonic Ensemble. He has been a guest of the Chamber Music Society of Lincoln Center, Da Camera Society of Houston, St. Luke’s Chamber Ensemble, Musicians from Marlboro, the Brentano Quartet, Carnegie Hall’s Zankel Band, Boston Chamber Music Society, and the Eastern Shore Chamber Music Festival.
Praised as “extraordinary…” and “a formidable clarinetist” by the New York Times, Romie de Guise-Langlois has appeared as soloist and chamber musician on major concert stages throughout the United States, Canada, Europe, and Asia. Ms. de Guise-Langlois performed as soloist with the Houston Symphony, Ensemble ACJW, the Burlington Chamber Orchestra, the Yale Philharmonia, McGill University Symphony Orchestra, at Music@Menlo and at the Banff Center for the Arts. She is a winner of the Astral Artists’ National Auditions and was awarded the First Prize in the Houston Symphony Ima Hogg Competition; she was additionally a First Prize winner of the Woolsey Hall Competition at Yale University, the McGill University Classical Concerto Competition, the Canadian Music Competition, and was the recipient of the Canadian Broadcasting Corporation Award. An avid chamber musician, Ms. de Guise-Langlois joined the roster of Chamber Music Society Two in 2012 and has toured with Musicians from Marlboro. She has appeared at the Metropolitan Museum of Art, the Philadelphia and Boston Chamber Music Societies, 92nd Street, and Chamber Music Northwest among many others. She has performed as Principal Clarinetist for the Orpheus Chamber Orchestra, the Orchestra of St. Luke’s, the New Haven and Stamford symphony orchestras and The Knights Chamber Orchestra. A native of Montreal, Ms. de Guise-Langlois earned degrees from McGill University and the Yale School of Music, where she studied under David Shifrin. She has completed her fellowship at The Academy-A Program of Carnegie Hall, The Juilliard School, and The Weill Music Institute, and is currently Adjunct Professor of clarinet at Montclair University.
An artist defined by the critics as “tender, lyrical, loaded with personality” (Atlanta Journal Constitution, Pierre Ruhe), violist Juan-Miguel Hernandez is also recognized for drawing “the sweetest, most sonorous tone” (Washington Post, Charles T. Downey). In September 2009, Juan-Miguel won the First Prize at the 16th International Johannes Brahms Competition in Austria, adding to other top prizes won at the National Canadian Music Competition, and the 9th National Sphinx Competition in 2006, presented by JPMorgan Chase. As a featured guest soloist, Juan-Miguel has appeared with the Atlanta, Seattle, Colorado Symphonies, as well as the Rochester Philharmonic and the Chicago Sinfonietta. Performances in recent seasons have brought Juan-Miguel on tour throughout Europe, the Middle East, Asia, Africa, South America, Canada and the United States. In 2010, he was honored with the medal of the National Assembly of Quebec.
Juan-Miguel has collaborated with distinguished artists such as Itzhak Perlman, Lynn Harrell, Kim Kashkashian, Gérard Caussé, Nicolas Dautricourt, Misha Dichter, the Weilerstein trio, Chick Corea, Gary Burton, Stanley Clark and Paquito D’Rivera to name a few. Recent festival and program appearances as guest artist and teacher include the Festival Pablo Casal (Prades, France), the Festival Des Arcs (France), the Amalfi Coast Music Festival (Italy), Festival Des Graves (Bordeaux, France), Stellenbosch International Chamber Music Festival (South Africa), the Salzburg Festival, the Brevard Summer Institute, the Mozaic Festival, Festicamara (Colombia), Montreal Jazz & Panama Jazz Festivals and Musica Mundi International Festival (Belgium).
A dedicated chamber musician, Juan-Miguel is the newest member of the legendary Fine Arts Quartet and a founding member of the Harlem Quartet with whom he performed from 2006 to 2012. Juan-Miguel is also a founder and member of the “Trio Virado” (Flute, Viola, Guitar) as well as the “Boreal Trio” (Clarinet, Viola, Piano), both specializing in the creation of new repertoire. From 2005 to 2010, he was also an active member of the I Palpiti orchestra, a cast of international laureates forming a world class string orchestra based in Los Angeles.
On radio airwaves and television broadcasts, Juan-Miguel has been heard and seen on nationally-syndicated programs throughout Canada, and the United States including NBC’s Good Morning America, The Today Show and the Telemundo Network. His discography includes four quartet CDs, released on the Naxos, Cedille records, the White Pine and Navona labels as well as multiple collaborations on various other labels including the album “Hot House” playing alongside Chick Corea and Gary Burton for which they won a Grammy, as well as Norah Jones’ album “Broken Little Hearts”. 2015 saw the release of Trio Virado’s debut album, “Mangabeira”, featuring music by Piazzolla, Leo Brouwer and original music by Sergio Assad.
His strong commitment to educate and engage new audiences all around the globe has brought him to reach young musicians and various communities through art convoys in South Africa and Venezuela, various music festivals in South America and outreach projects in Europe and North America. In the Fall of 2016 Juan-Miguel was appointed to the faculty of the prestigious Royal Academy of Music (London) as Professor of Viola.
Juan-Miguel Hernandez was born in Montreal, Canada in 1985 and began studying the violin at age seven, then switched to viola at age twelve under the tutelage of Jean McRae. He received his Bachelor degree from the Colburn Conservatory in 2010 studying with Paul Coletti and Graduate Diploma in the Professional String Quartet program in 2012 with Paul Katz at the New England Conservatory, working privately with Kim Kashkashian and Dimitri Murrath. He also worked before Pinchas Zukerman, Roberto Diaz, Paul Neubauer, Karen Tuttle, Steven Dann, James Dunham, Barbara Westphal and Robert Vernon.
Juan-Miguel plays a beautiful 2008 Miralles viola from Altadena CA.
Violist Mark Holloway is a chamber musician sought after in the United States and abroad. He has appeared at prestigious festivals such as Marlboro, Ravinia, Caramoor, Music@Menlo, Cartagena, Taos, Music from Angel Fire, Mainly Mozart, and the Boston Chamber Music Society. Performances have taken him to far-flung places such as Chile and Greenland, and he plays regularly at Musique de Chambre à Giverny in France, Musikdorf Ernen in Switzerland, and at the International Musicians Seminar in Prussia Cove, England. He also frequently appears as a guest with the New York Philharmonic and Orpheus. Mr. Holloway has been principal violist at Tanglewood and of the New York String Orchestra, and has played as guest principal of the American Symphony, the Chamber Orchestra of Philadelphia, Camerata Bern, and the St. Paul Chamber Orchestra. He has performed at Bargemusic, the 92nd Street Y, the Casals Festival in Puerto Rico, and on radio and television throughout the United States and Europe, most recently a Live From Lincoln Center broadcast. Hailed as an “outstanding violist” by American Record Guide, and praised by Zürich’s Neue Zürcher Zeitung for his “warmth and intimacy,” he has recorded for the Marlboro Recording Society, CMS Live, Naxos, Music@Menlo LIVE and Albany labels. An artist of the Chamber Music Society of Lincoln Center, Mr. Holloway was a student of Michael Tree at The Curtis Institute of Music and received his bachelor’s degree from Boston University.
A native of San Juan, Argentinean bandoneon player and composer “J.P.” Jofre has been repeatedly highlighted by the New York Times and praised as one of today’s leading artists by Great Performers at Lincoln Center. His music has been recorded by 16 Grammy Winner Paquito D’ Rivera and choreographed/performed by ballet star Herman Cornejo (Principal Dancer of the American Ballet Theatre). A recipient of the National Prize of the Arts grant in Argentina, Mr. Jofre has taken his form of contemporary tango to some of the most important venues in Asia, Europe, America and the Caribbean as soloist and composer. He has collaborated with many famous musicians in a wide range of musical styles, including Paquito D’Rivera, Kathryn Stott, Gloria Estefan, Symphony Silicon Valley, Santa Rosa Symphony Orchestra, Orquesta Sinfonica Nacional de Argentina, Sacramento Philharmonic, Philippe Quint, Fernando Otero, Westchester Jazz Orchestra, Dallas Symphony, Napa Symphony, Michael Guttman and Fred Sturm among others. Mr. Jofre has received commissions and been part of many prestigious festivals including the Celebrity Series of Boston, Umbria Jazz Festival, Great Performers at Lincoln Center, Seattle Town Hall’s Global Rhythms, Borislav Strulev’s Belgorod Music Festival, Sudtirol Jazz Festival, American Virtuosi, Nina Beilina and Bachanalia Taiwan. For the world premiere of his Bandoneon Concerto, the Mercury News wrote: “…he is an electrifying composer-bandoneon player.” In 2012, Jofre was invited by the Free University of Bolzano and SudTirol Festival (Italy) to perform for the homage to Argentinean Nobel Peace Prize winner, Adolfo Perez Esquivel. He proudly uses the New AA by Bandonion Fabrik Klingenthal. Mr. Jofre has recently received two commissions by violinist-conductor Michael Guttman and violinist Francisco Fullana in collaboration with the San Antonio Chamber Orchestra and Metropolis Ensemble to write two double concertos for violin and bandoneon.
J.P. Jofre began playing percussion and guitar at the age of 14 and later attended the Escuela de Musica de la Universidad Nacional de San Juan, Argentina, where he studied drums, guitar, piano, voice, and composition, before deciding to dedicate himself to the bandoneón. In 2003, Jofre gave his debut performance as arranger and solo bandoneónista at the First International Festival of Chamber Music. For this event, Jofre arranged pieces for 12 Cellos and Bandoneon. In 2004 Jofre took privates classes with Martin Ferres and one year later auditioned for Daniel Binelli, one of the world’s most sought after bandoneonists and composers. With Binnelli’s recommendation, Jofre studied under Julio Pane, world-renowned educator and former bandoneónista for the legendary “Astor Piazzolla Sextet” through the financial endorsement of the Juan Victoria Auditorium and Autotransportes San Juan Mar del Plata. At the 2005 Clasura Concert of the Master Class given by Ingrid Zur and George Heyer (Germany) in San Juan, Jofre performed solo works of Bach and Piazzolla. That same year, he performed alongside Latin America’s most important musical figures Jairo, Horacio Ferrer, and Garello at the presentation ceremony for the book Adventures and Triumphs of Argentines in Paris at the Hall Café Tortoni in Buenos Aires. After winning the National Prize of the Arts Grant, Jofre traveled to Florence, Italy, performing as a soloist and arranger. In 2006, he toured Spain with the Mendocino Tango Sextet, giving both solo and group performances at the International Tango Festival of Granada and the International Tango Festival of Alméria.
At the inauguration ceremony for the Granada School for the Bandoneón, Jofre performed with bandoneon master Rodolfo Montironi. In 2008 Jofre appeared on NBC’s Rosie O’Donnell Live, performing alongside the Lombard Twins and violinist Nick Danielson. He is the founder of the JP Jofre Hard Tango Chamber Band, one of New York City’s hottest in-demand ensembles, which focuses on his own works as well as authentic interpretations of legendary composers such as Astor Piazzolla. Recently, the band has welcomed four outstanding performers to its ranks: violinist Eric Silberger, prizewinner at the Tchaikovsky Competition, cellist Amy Kang, double bassist Ron Wasserman, principal bass of the New York City Ballet Orchestra, and Argentinian pianist Pablo Cafici with guests Christopher Johnson (double bass) and Siyi Fang (piano).
photo: JuJu Rhee
SIWOO KIM is an “incisive” and “compelling” (Zachary Woolfe, The New York Times) violinist who plays with “stylistic sensitivity and generous tonal nuance” (John von Rhein, Chicago Tribune). Siwoo performs as soloist and chamber musician and is also the founding co-artistic director of VIVO Music Festival in his hometown of Columbus, Ohio.
Siwoo made his New York concerto debut at Carnegie Hall’s Stern Auditorium with James DePreist and the Juilliard Orchestra. He made his Walt Disney Concert Hall concerto debut shortly after. In addition, he has given concerto performances with the Columbus, Houston, Johannesburg, Kwazulu-Natal, Seongnam, Springfield (MO), and Tulsa symphony orchestras, among others. Siwoo gave the world premiere performance of Samuel Adler’s violin concerto and will be recording the work in Germany this season to coincide with the composer’s 90th anniversary.
An enthusiastic collaborator, Mr. Kim founded Quartet Senza Misura. Praised for their “whip-smart performances” (Alex Ross, The New Yorker), the string quartet has performed at an array of venues such as Alice Tully Hall of Lincoln Center, Terrace Theater of The Kennedy Center, Seoul Arts Center, La Fundacion Juan March in Spain, and the Simon Bolivar Conservatory of Music in Venezuela. In recent seasons, Siwoo has been a violinist of Carnegie Hall’s Ensemble Connect (ACJW) and the Marlboro Music Festival. He has been featured internationally as guest artist at the Tivoli Festival in Denmark, the Bergen International Festival in Norway, the Stellenbosch International Chamber Music Festival in South Africa, and with Ensemble DITTO in South Korea. He has performed chamber music with Itzhak Perlman, Joyce DiDonato, Jeremy Denk, Kim Kashkashian, and members of the Guarneri, Juilliard and Takacs String Quartets.
Siwoo was named the recipient of the 2012 King Award for Young Artists. He took second place at the 2010 Corpus Christi International Competition for Piano and Strings, where he was also awarded special prizes for the best performance of solo Bach and violin performance. He has also been named top prizewinner in the California, Chengdu, Crescendo, Hellam, Ima Hogg, Juilliard, Schadt, Sejong, and WAMSO competitions.
Siwoo studied with Roland and Almita Vamos at the Music Institute of Chicago. He went on to receive both his undergraduate and graduate degrees from The Juilliard School where he studied with Robert Mann, Donald Weilerstein and Ronald Copes.
Violist Danny Kim joined the Boston Symphony Orchestra at the start of the 2016-17 season. A native of St. Paul, MN, he earned his Master of Music degree in viola performance from The Juilliard School under the tutelage of Samuel Rhodes. He began his musical studies at a young age on the violin with his mother, Ellen Kim, and then transitioned to the viola in high school under Sabina Thatcher. Danny completed his undergraduate at the University of Wisconsin-Madison where he studied with Sally Chisholm, and received a BA in viola performance and a certificate in East Asian Studies.
A 2013- 2015 participant of the Marlboro Music Festival, Danny has spent past summers at the Pacific Music Festival, Tanglewood Music Center, the Aspen Music Festival where served as the principal violist of the festival orchestras, and Kneisel Hall.
As a chamber musician, Danny has performed with the Chamber Music Society of Minnesota, members of the Saint Paul Chamber Orchestra, Pro Arte Quartet, and collaborated in performances with many distinguished artists including Joseph Silverstein, Peter Wiley, Marcy Rosen, Richard O’Neill, Charles Neidich, Anthony McGill, Nathan Hughes, and others. He also was a tenured member of Madison Symphony Orchestra and was awarded a position on the substitute list for the Minnesota Orchestra and the Saint Paul Chamber Orchestra.
Danny has performed with several distinguished ensembles and artists including the Metropolis Ensemble where he collaborated with Questlove and The Roots, New York Classical Players, Camerata Virtuosi New Jersey, Symphony in C and appeared on Sesame Street with Maestro Alan Gilbert of the New York Philharmonic. Danny also recently completed a tour of South Korea with his string quartet, Quartet Senza Misura, and Richard O’Neill for his 10th anniversary concerts.
Past honors include advancing to the finals of the Juilliard concerto competition, and being a prizewinner of the 2011 Neale-Silva Young Artist Competition which was broadcast live on national radio. Additionally, Danny was the winner of the 2011 Tanglewood Music Center Maurice Schwartz Prize, the UW-Madison concerto competition, the Aspen Festival Orchestral String Fellowship, the UW School of Music Alumni Association scholarship and the Kato Perlman scholarship. He was also the recipient of the Juilliard Alumni Scholarship during his graduate studies.
An ardent supporter of teaching and working with young people, Danny took part in a residency in May of 2013 with El Sistema in Caracas, Venezuela, coaching chamber groups and performing with his string quartet, Quartet Senza Misura. He has also served as viola faculty at the Northern Lights Chamber Music Institute in Ely, MN and has led orchestra sectionals for The Juilliard Pre-College Division.
Hailed for her “magnetic, wide-ranging tone” and her “rock solid technique” (Philadelphia Inquirer), violist Ayane Kozasa enjoys a career that spans a broad spectrum of musical personas. A violinist turned violist, she was inspired to dedicate herself to the alto clef when she discovered the beauty of playing the viola part in string quartets during her undergraduate studies at the Cleveland Institute of Music. Her commitment to pursue a life in viola led to a graduate degree from the Curtis Institute of music as well as a further masters degree from the esteemed Kronberg Academy Masters School in Germany.
Ayane’s solo career took off when she won the 2011 Primrose International Viola Competition, where she also captured awards for best chamber music and commissioned work performances. Following the competition, she joined the astral artists roster and became a grant recipient from the S&R Foundation, an organization recognizing and supporting young aspiring artists of all mediums. Her international solo opportunities have been a platform to unearth seldom heard works and commission new pieces, an aspect of viola playing that she loves. Most recently, she commissioned a work by Brooklyn composer Paul Wiancko for viola and cello, which she premiered in Washington DC at the S&R Foundation.
Chamber music has also been a vital part of ayane’s musical career, and her interests have led her to appearances at numerous festivals including the Marlboro Music Festival, the Caramoor Center for Music and the Arts, the Methow Valley Chamber Music Festival, The Kingston Music Festival, and The Ravinia Festival. She is a founding member of the Aizuri Quartet, the 2014-16 quartet-in-residence at the Curtis Institute of Music and prizewinner of the 2015 London Wigmore Hall International String Quartet Competition. The quartet has proved to be a multi-faceted group, commissioning and touring works by world renowned composers such as Caroline Shaw, Yvgeniy Sharlat, Paul Wiancko, and Gabriella Smith.
From 2012 to 2016, Ayane served as the principal violist of The Chamber Orchestra Of Philadelphia. She is also a member of the Iris Orchestra, and has played with notable ensembles such as the Jupiter Chamber Players, The Philadelphia Orchestra, A Far Cry, and the St. Paul Chamber Orchestra.
Ayane is deeply grateful for the mentorship she received from her past teachers, Nobuko Imai, Kirsten Docter, Roberto Diaz, Misha Amory, and William Preucil. Outside of music, she loves to bake pastries, create fonts, run long distances, and visit the ocean — all interests that fuel her musical creativity.
Named the recipient of a 2015 Avery Fisher Career Grant, Korean-American violinist Kristin Lee has been praised by The Strad for “mastery of tone,” and “one of the most satisfying concerts in years.” A violinist of remarkable versatility and impeccable technique, Ms. Lee enjoys a vibrant career as a soloist, recitalist, chamber musician, and educator.
Ms. Lee’s recent engagements include her debut with the Milwaukee Symphony Orchestra and at Washington, D.C.’s Phillips Collection, recitals in New York’s Merkin Concert Hall and Florida’s Kravis Center, and appearances with the Guiyang Symphony Orchestra of China and the St. Paul Chamber Orchestra. She recently curated a program that premiered at Philadelphia’s World Cafe Live, in which she commissioned composer/performers to write works for the violin and steelpan, guitar, theremin, spoken word, and carnatic South Indian singing. The program was also performed at New York’s (Le) Poisson Rouge. She also tours with the Chamber Music Society of Lincoln Center, in California, New York, Michigan, and Pennsylvania.
A winner of Astral Artists’ 2010 National Auditions and a top prizewinner of the 2012 Walter W. Naumburg Competition, Ms. Lee has appeared as soloist with The Philadelphia Orchestra, St. Louis Symphony, New Jersey Symphony, Rochester Philharmonic, New Mexico Symphony, West Virginia Symphony, the Ural Philharmonic of Russia, the Korean Broadcasting Symphony of Korea, and many others. She has appeared on the world’s finest concert stages, including Carnegie Hall, Avery Fisher Hall, the Kennedy Center, Philadelphia’s Kimmel Center, the Metropolitan Museum, Steinway Hall’s Salon de Virtuosi, the Louvre Museum in Paris, and Korea’s Kumho Art Gallery. She has been featured on the Ravinia Festival’s Rising Stars Series, and has toured throughout northern Italy. In April 2012, Ms. Lee organized a memorial concert at the Menlo-Atherton Performing Arts Center for the victims of the Oikos University shooting.
An accomplished chamber musician, Ms. Lee is a member of the Chamber Music Society of Lincoln Center, following her completion of a three-year residency as a CMS Two artist. This season, she makes her debut appearance with the Camerata Pacifica of Santa Barbara. She has appeared at the Ravinia Festival, Music@Menlo, La Jolla Festival, Medellín Festicámara of Colombia, the El Sistema Chamber Music festival of Venezuela, and the Sarasota Music Festival, among many others. She is the concertmaster of the groundbreaking Metropolis Ensemble, with whom she premiered Vivian Fung’s Violin Concerto, written for her, and which appears on Ms. Fung’s CD Dreamscapes, released for the Naxos label CD in 2012.
Ms. Lee’s performances have been broadcast on WQXR in New York, on Robert Sherman’s “Young Artists Showcase,” and with guitarist Mattias Jacobsson on Annie Bergen’s “The Office Hours.” Other broadcasts include PBS’s “Live from Lincoln Center,” the Kennedy Center Honors, and a guest artist performance on WFMT Chicago’s “Rising Stars” series. She also appeared on a nationally broadcast PBS documentary entitled PBS in Shanghai, that chronicled a historic cross-cultural exchange between the Perlman Music Program and Shanghai Conservatory.
Ms. Lee has received many honors, including awards from the 2011 Trio di Trieste Premio International Competition, the SYLFF Fellowship, Dorothy DeLay Scholarship, the Aspen Music Festival’s Violin Competition, the New Jersey Young Artists’ Competition, and the Salon de Virtuosi Scholarship Foundation. She is also the unprecedented First Prize winner of three concerto competitions at The Juilliard School—in the Pre-College Division in 1997 and 1999, and in the College Division in 2007.
Born in Seoul, Ms. Lee began studying the violin at the age of five, and within one year won First Prize at the prestigious Korea Times Violin Competition. In 1995, she moved to the U.S. and continued her musical studies under Sonja Foster. Two years later, she became a student of Catherine Cho and Dorothy DeLay in The Juilliard School’s Pre-College Division. In January 2000, she was chosen to study with Itzhak Perlman, after he heard her perform Mendelssohn’s Violin Concerto with Juilliard’s Pre-College Symphony Orchestra. Ms. Lee holds a Master’s degree from The Juilliard School, where she studied with Itzhak Perlman and Donald Weilerstein, and served as an assistant teacher for Mr. Perlman’s studio as a Starling Fellow. She is a member of the faculty of the Aaron Copland School of Music at Queens College, and has served on the faculties of the LG Chamber Music School in Seoul, Korea, El Sistema’s chamber music festival in Caracas, Venezuela, and the Music@Menlo Chamber Music Festival.
Two-time Grammy nominated violinist Jesse Mills enjoys performing music of many genres, from classical to contemporary, as well as composed and improvised music of his own invention.
Since his concerto debut at the Ravinia Festival in Chicago, Mr. Mills has performed throughout the U.S. and Canada. He has been a soloist with the Phoenix Symphony, the Colorado Symphony, the New Jersey Symphony, the Green Bay Symphony, Juilliard Chamber Orchestra, the Denver Philharmonic, the Teatro Argentino Orchestra (in Buenos Aires, Argentina), and the Aspen Music Festival’s Sinfonia Orchestra.
As a chamber musician Jesse Mills has performed throughout the U.S. and Canada, including concerts at Lincoln Center’s Alice Tully Hall, Carnegie Hall, the 92nd Street Y, the Metropolitan Museum, the Kennedy Center in Washington, DC, Boston’s Gardener Museum, Chicago’s Ravinia Festival, and the Marlboro Music Festival. He has also appeared at prestigious venues in Europe, such as the Barbican Centre of London, La Cité de la Musique in Paris, Amsterdam’s Royal Carré Theatre, Teatro Arcimboldi in Milan, and the Palais des Beaux Arts in Brussels. Mills is co-founder of Horszowski Trio and Duo Prism, a violin-piano duo with Rieko Aizawa, which earned 1st Prize at the Zinetti International Competition in Italy in 2006. With Ms. Aizawa, Mills became co-artistic director of the Alpenglow Chamber Music Festival in Colorado in 2010.
Mills is also known as a pioneer of contemporary works, a renowned improvisational artist, as well as a composer. He earned Grammy nominations for his performances of Arnold Schoenberg’s music, released by NAXOS in 2005 and 2010. He can also be heard on the Koch, Centaur, Tzadik, Max Jazz and Verve labels for various compositions of Webern, Schoenberg, Zorn, Wuorinen, and others. As a member of the FLUX Quartet from 2001-2003, Mills performed music composed during the last 50 years, in addition to frequent world premieres. As a composer and arranger, Mills has been commissioned by venues including Columbia University’s Miller Theater and the Chamber Music Northwest festival in Portland, OR.
Jesse Mills began violin studies at the age of three. He graduated with a Bachelor of Music degree from The Juilliard School in 2001. He studied with Dorothy DeLay, Robert Mann and Itzhak Perlman. Mr. Mills lives in New York City, and he is on the faculty at Longy School of Music of Bard College and at New York University. In 2010 the Third Street Music School Settlement in NYC honored him with the ‘Rising Star Award’ for musical achievement.
Soprano Laquita Mitchell consistently earns acclaim in eminent opera companies throughout North America and Europe. Already in her young career, she has led performances with the Los Angeles Opera, San Francisco Opera, Houston Grand Opera, Lyric Opera of Chicago, New York City Opera, Washington National Opera, Opéra Comique in Paris, among many others.
In her compelling debut as Bess in Porgy and Bess with the San Francisco Opera, Opera News said “Soprano Laquita Mitchell, in her first outing as Bess, dazzled the SFO [San Francisco Opera] audience with her purity of tone and vivid theatrical presence.” She has since reprised the role with New Jersey State Opera, the Atlanta Opera; Madison Symphony, the Boston Symphony Orchestra (at both Tanglewood and Symphony Hall), and also the Robert Russell Bennett Porgy and Bess Suite with the Cleveland Orchestra, Santa Barbara Symphony, Sheboygan Symphony and with the Polish Chamber Philharmonic Orchestra in Sopot, Poland.
Hailed in the New York Times for her portrayal of Violetta in Verdi’s “La Traviata” in New York City Opera’s 2012 season opener said “Ms. Mitchell’s voice is rich, shimmering and sizable, her singing was tender and expressive”. Other notable appearances include Micaela in Carmen at the New York City Opera; Leonora in Il trovatore in South Carolina as well as with Nashville Opera; the role of Sharon in Terrance McNally’s Master Class at the Kennedy Center; Musetta in La bohème in a return to the Los Angeles Opera; Mimì in La bohème with Cincinnati Opera and at the Utah Symphony and Opera; Donna Anna in Don Giovanni with Florentine Opera, Portland Opera; and Donna Elvira in Don Giovanni with Opera New Jersey.
Also active as a concert artist, Ms. Mitchell most recently performed Barber’s Knoxville: Summer of 1915 with the Louisville Orchestra, the world premiere of Steven Stucky’s August 4, 1964 with the Dallas Symphony Orchestra under Jaap Van Zweden, her Boston Symphony Orchestra debut as the soprano soloist in Wynton Marsalis’ All Rise under Kurt Masur, and the soprano solo in Tippett’s A Child of our Time with the Washington Chorus at the Kennedy Center. She has also performed with the Philadelphia Orchestra, New Jersey Symphony, the Princeton Symphony Orchestra, the New York Symphonic Ensemble at Alice Tully Hall, with Branford Marsalis and the Garden State Philharmonic, and with the New York Festival of Song “Salute to Arlen” concert at Carnegie Hall. Ms. Mitchell made her debut with the New World Symphony in Alberto Ginastera’s: Cantata para la America Magica. Ms. Mitchell returned to the Cincinnati Opera in the role of Micaela in Bizet’s Carmen. She also was featured in the Cincinnati Opera’s Park Concert Gala held at Washington Park in downtown Cincinnati. In the summer of 2014, Ms. Mitchell was asked to give a solo recital with accompanist Craig Terry for the Television Critics Association in Los Angeles, California under the auspices of PBS. Fall of 2014, Ms. Mitchell joined Beth Morrison Projects for David Lang’s The Difficulty of Crossing a Field in the role of Virginia Creeper. Ms. Mitchell recorded The Difficulty of Crossing a Field as well as performed the piece for NPR radio at Roulette performance space. She recently made her debut with the Philadelphia Orchestra under Maestro Yannick Nezet-Seguinin the 2015 Salute to Dr, Martin Luther King Jr. at Girard College. Ms. Mitchell’s 2015-2016 season begins with an appearance in two recitals with Collaborative Arts Institute of Chicago, performing works by Samuel Barber, John Carter and Lee Hoiby. Ms. Mitchell made her New York Philharmonic debut this fall of 2015 “In Their Footsteps: Great African American Singers and Their Legacy”. This special two day event celebrates ground breaking soloists who have influenced generations of singers. She was the soprano soloist in the Brahms Requiem with the Color of Music Festival in Charleston, South Carolina. Ms. Mitchell will also sing the soprano solos in Mendelssohn’s Elijah with Princeton ProMusica. She then made her official debut with the Philadelphia Orchestra under Maestro Yannick Nezet-Seguin in the world premiere of “One Land, One River, One People” by Hannibal. Ms. Mitchell then made her debut with the Detroit Symphony Orchestra in their Classical Roots Concert Honoring Jessye Norman, conducted by Roderick Cox, singing the Four Last Songs by Richard Strauss. She then sings the role of Bess from Gershwin’s Porgy and Bess with Marin Alsop and the Baltimore Symphony Orchestra.
Ms. Mitchell’s 2016-2017 season began with the Opening night of the Philadelphia Orchestra’s 50th Anniversary at Saratoga Springs Performing Arts Center, conducted by Stephane Deneve. Mitchell sang excerpts from Hannibal’s “One Land, One River, One People” and was the soprano soloist for Beethoven’s Ninth Symphony. Ms. Mitchell debuted with the Arizona Opera in their 45th Anniversary Sapphire Celebration singing excerpts from Verdi’s Aida and Puccini’s La Boheme and Turandot. She returns to Chicago where she was heard in recital at Roosevelt University with pianist Shannon McGinnis. She also made her role debut as the Countess in Mozart’s Marriage of Figaro with the Toledo Opera. In the early Spring 2017 Ms. Mitchell returned to the Sheboygan Symphony Orchestra for an evening of Opera Arias and Choruses. Ms. Mitchell made her Hungarian debut in June of 2017 in the role of Bess in Gershwin’s Porgy and Bess at the St. Margetsziget Festival.
Laquita Mitchell is a Metropolitan Opera National Council Auditions Grand Prize Winner, and was awarded a 2004 Sara Tucker Award. She was also the First Prize Winner of the Wiener Kammer Oper’s 2003 Hans Gabor Belvedere Competition, and the First Prize Winner of the Houston Grand Opera Eleanor McCollum Competition for Young Singers, as well as the winner of the Audience Choice award. Ms. Mitchell is an alumna of the San Francisco Opera’s Merola Program and the Houston Grand Opera Studio. She completed her Master’s and the Professional Studies Certificate at the Manhattan School of Music, and completed her Bachelor’s at Westminster Choir College. Ms. Mitchell is the recipient of the 2010 Distinguished Young Alumni Award from her alma mater the Manhattan School of Music. In May of 2015 Ms. Mitchell will receive the Alumni Award from her undergrad Westminster Choir College. In March of 2014 Ms. Mitchell can be seen in the San Francisco Opera’s DVD of Gershwin’s Porgy and Bess in the role of Bess.
Anthony Manzo enjoys performing in a broad variety of musical forums – despite the ever-present complications of travel with a double bass! An artist with the Chamber Music Society of Lincoln Center, Mr. Manzo is a sought-after chamber musician who performs regularly at such noted venues as Lincoln Center in NYC, and the Spoleto Festival in Charleston, SC. Mr. Manzo is also the Solo Bassist of San Francisco’s New Century Chamber Orchestra, and a regular guest with the National Symphony Orchestra, the Smithsonian Chamber Society, and the Baltimore Symphony when he’s at home in Washington DC. Formerly the Solo Bassist of the Munich Chamber Orchestra, he has also been a guest principal with Camerata Salzburg in Austria, where collaborations have included their summer residency at the Salzburg Festival, as well as two tours as double bass soloist alongside bass/baritone Thomas Quasthoff, performing Mozart’s “Per questa bella mano”.
Mr. Manzo is also an active performer on period instruments, with groups including The Handel & Haydn Society of Boston (where his playing has been lauded as “endowed with beautiful and unexpected plaintiveness” by the Boston Musical Intelligencer), and Philharmonia Baroque in San Francisco. Additionally, Mr. Manzo is a member of the double bass and chamber music faculty of the University of Maryland.
Mr. Manzo performs on a double bass made around 1890 by Jerome Thibouville Lamy in Paris (which now has a removable neck for travel!).
Eric Reed is an internationally recognized horn player, chamber musician, and educator. Based in New York City, he has played concerts and presented master classes on five continents and in a variety of ensembles and musical styles. He is the newest member of the American Brass Quintet, and serves on the horn and chamber music faculties of The Juilliard School and New York University. In addition to his work with the ABQ, he performs regularly with the Orchestra of St. Luke’s and Orpheus Chamber Orchestra. He is a former member of the Canadian Brass and Carnegie Hall’s Ensemble ACJW. Additionally, he has been on the rosters of the Oregon, New World, and Harrisburg symphonies, and has performed with dozens of New York City’s diverse cultural organizations. He holds degrees from Rice University’s Shepherd School of Music and The Juilliard School. He is a member of the newly formed Ensemble Échappé, a sinfonietta dedicated to music of the 21st century. He has recently given world premiere performances of works by composers Eric Ewazen, William Bolcom, Robert Paterson, Kenneth Fuchs, Eric Nathan, and John Zorn. In addition to his endeavors in and around New York, he maintains an active performance and teaching schedule away from home. He is on the faculty of the Round Top Festival Institute and Aspen Music Festival and School, and has appeared at the Cape Cod Chamber Music Festival and the Strings Music Festival in Steamboat Springs, Colorado.
Violinist Danbi Um has appeared as soloist with the Israel Symphony, Vermont Symphony, Herzliya Chamber Symphony, Auckland Philharmonic, and Dartmouth Symphony, and in venues such as the Kennedy Center, Perelman Theater at Kimmel Center, the Isabella Stewart Gardner Museum, Kumho Arts Hall, the Tel Aviv Museum of Art, Bennett Gordon Hall of the Ravinia Festival, and for the Seattle Chamber Music Society. She is a winner of Astral Artists’ 2015 National Auditions, and is a member of Chamber Music Society Two of Lincoln Center. With CMS, she has performed at the Saratoga Performance Arts Center, Alice Tully Hall, Harris Theater, and St. Cecilia Music Center.
An avid chamber musician, she has made appearances at Marlboro, Ravinia, Music@Menlo, Yellow Barn, Prussia Cove, Caramoor, Moab, and North Shore Chamber Music Festival. She tours frequently with Musicians from Marlboro including a national tour, and has played with the Jupiter Chamber Players and Omega Ensemble. She received second prize in the Young Artists Division of the Menuhin International Violin Competition, and third prize at the Michael Hill International Violin Competition. At age ten she was admitted to the Curtis Institute of Music, where she graduated with a bachelor’s degree. She also holds an Artist Diploma from Indiana University. Her teachers include Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, and Hagai Shaham. She plays on a 1683 “ex-Petschek” Nicolo Amati violin, on loan from a private collection.
American pianist William Wolfram was a silver medalist at both the William Kapell and the Naumburg International Piano Competitions, a bronze medalist at the prestigious Tchaikovsky Piano Competition in Moscow and ﬁnalist in the Van Cliburn International Piano Competition.
Wolfram has appeared with many of the greatest orchestras of the world and has developed a special reputation as the rare concerto soloist who is also equally versatile and adept as a recitalist, accompanist and chamber musician. In all of these genres, he is highly sought after for his special focus on the music of Franz Liszt and Beethoven and is a special champion for the music of modernist 20th century American composers.
His concerto debut with the Pittsburgh Symphony under the baton of Leonard Slatkin was the ﬁrst in a long succession of appearances and career relationships with numerous American conductors and orchestras. He has also appeared with the San Francisco, Saint Louis, Indianapolis, Seattle and New Jersey symphonies, the Buffalo Philharmonic, the National Symphony Orchestra (Washington D.C.), the Baltimore Symphony, the Colorado Symphony, the Rochester Philharmonic, the Nashville Symphony, the Oregon Symphony, the Utah Symphony, the Edmonton Symphony, the Columbus Symphony, the Florida Orchestra, and the Grand Teton and San Luis Obispo Mozart festival orchestras, among many others. He enjoys regular and ongoing close associations with the Dallas Symphony, the Milwaukee Symphony, the San Diego Symphony and the Minnesota Orchestra in the United States.
Internationally recognized conductors with whom he has worked include Andrew Litton, Jerzy Semkow, Mark Wigglesworth, Jeffrey Tate, Vladimir Spivakov, Gerard Schwarz, Carlos Miguel Prieto, Jeffrey Kahane, James Judd, Roberto Minczuk, Stefan Sanderling, JoAnn Falletta, James Paul, and Carlos Kalmar.
Abroad, Wolfram has appeared with the City of Birmingham Symphony Orchestra, the Royal Scottish National Orchestra, the RTE Symphony Orchestra of Ireland (Dublin), the Beethovenhalle Orchestra Bonn, the Warsaw, Moscow, and Budapest Philharmonics, the Capetown and Johannesberg symphonies of South Africa, L’Orchestre de Bretagne, and the National Symphony of Peru.
An enthusiastic supporter of new music, he has collaborated with and performed music by composers such as Aaron Jay Kernis, Kenneth Frazelle, Marc Andre Dalbavie, Kenji Bunch, and Paul Chihara. His world premiere performance of the Chihara re- orchestration of Chopin’s Piano Concerto No. 1, with the Milwaukee Symphony under the baton of Andreas Delfs, was met with great critical attention and acclaim.
Wolfram has extensive experience in the recording studio. He has recorded three titles on the Naxos label in his series of Franz Liszt Opera Transcriptions and two other chamber music titles for Naxos with violinist Philippe Quint (music of Miklos Rosza and John Corigliano). Also for Naxos he has recorded the music of Earl Kim with piano and orchestra – the RTE National Symphony Orchestra of Ireland behind him. For the Albany label, he recorded the piano concertos of Edward Collins with Marin Alsop and the Royal Scottish National Orchestra.
In print and other media Wolfram was the focus of a full chapter in Joseph Horowitz’s book, The Ivory Trade: Music and the Business of Music at the Van Cliburn International Piano Competition. On television, he was a featured pianist in the documentary of the 1986 Tchaikovsky International Piano Competition.
A graduate of The Juilliard School, William Wolfram resides in New York City with his wife and two daughters.
Violinist Carmit Zori came to the United States from her native Israel at the age of fifteen to study with Ivan Galamian, Jaime Laredo and Arnold Steinhardt at the Curtis Institute of Music in Philadelphia. Ms. Zori is the recipient of a Levintritt Foundation Award, a Pro Musicis International Award, and the top prize in the Walter W. Naumburg International Violin Competition. Carmit Zori has appeared as a soloist with the New York Philharmonic, the Rochester Philharmonic, and the Philadelphia Orchestra, among many others, and has given solo recitals at Lincoln Center, the Los Angeles County Museum of Art, the Isabella Stewart Gardener Museum in Boston, the Phillips Collection in Washington D.C., the Tel Aviv Museum and the Jerusalem Center for the Performing Arts. She has performed throughout Latin America and Europe, as well as in Israel, Japan, Taiwan and Australia, where she premiered the Violin Concerto by Marc Neikrug. In addition to her appearances with the Chamber Music Society of Lincoln Center, Ms. Zori has been a guest at chamber music festivals and concert series around the world, including the Chamber Music at the “Y” series in New York City, Festival Casals in Puerto Rico, the Bridgehampton Chamber Music festival, the Bard Music festival, Chamber Music Northwest, the Santa Fe Chamber Music Festival, the Seattle Chamber Music Festival, the Cape Cod Chamber Music Festival, Bach Dancing and Dynamite chamber music festival in Madison, Wisconsin. Carmit continues her association with the Marlboro Music Festival inVermont.
Ms. Zori, who for ten years was an artistic director at Bargemusic, founded the Brooklyn Chamber Music Society in 2002. She has recorded on the Arabesque, Koch International, and Elektra-Nonesuch labels. Ms. Zori is professor of violin at Rutgers University and at SUNY Purchase, where she also serves on the chamber music faculty.
Trinity Chuch, Solebury
6587 Upper York Rd
Solebury, PA 18963